Las óleos de todo Arkhip Ivanovich Kuindzhi


ID Image  Painting (From A to Z)       Details 
23230  
Arkhip Ivanovich Kuindzhi, Birch Grove (nn02)
 
 Birch Grove (nn02)   1879 Oil on canvas (dimensions unknown) state Russian Museum,Leningrad
35267  
Arkhip Ivanovich Kuindzhi, Cloud
 
 Cloud   cn40 1900-1905 Oil painting 140x194cm
35252  
Arkhip Ivanovich Kuindzhi, Dnieper-s Moonlight
 
 Dnieper-s Moonlight   cn40 1880 Oil painting 105x144cm
35245  
Arkhip Ivanovich Kuindzhi, Dniester
 
 Dniester   cn40 1901
35264  
Arkhip Ivanovich Kuindzhi, Elbrus
 
 Elbrus   cn40 1898-1908 Oil painting 36x62cm
35260  
Arkhip Ivanovich Kuindzhi, Elbrus-Moonlight
 
 Elbrus-Moonlight   cn40 1890-1895 Oil painting 36.5x55.4cm
35255  
Arkhip Ivanovich Kuindzhi, Eventide
 
 Eventide   cn40 1885-1890 Oil painting 29x57.5cm
35256  
Arkhip Ivanovich Kuindzhi, Eventide
 
 Eventide   cn40 1890-1895 Oil painting 38.7x55.5cm
35241  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1874
35244  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1885-1890 Oil painting 39x53cm
35246  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 182 Oil painting 70x110cm
35247  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1873 Oil painting 76x130cm
35248  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1873 Oil painting 79.5x62.5cm
35258  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1890-1895 Oil paiting 38.8x52.9cm
35265  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1898-1908 Oil painting 39x53.5cm
35268  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1898-1908 Oil painting 40x54cm
35269  
Arkhip Ivanovich Kuindzhi, Landscape
 
 Landscape   cn40 1905-1908 Oil painting 107x169cm
35259  
Arkhip Ivanovich Kuindzhi, Noon-the drove on the campo
 
 Noon-the drove on the campo   cn40 1890-1895 Oil painting 42x51cm
35249  
Arkhip Ivanovich Kuindzhi, North
 
 North   cn40 1879 Oil painting 132x103cm
35263  
Arkhip Ivanovich Kuindzhi, Oak
 
 Oak   cn40 1900-1905 Oil painting 63x164cm
77787  
Arkhip Ivanovich Kuindzhi, Portrat der Vittoria Marini
 
 Portrat der Vittoria Marini   Deutsch: um 1850 English: c. 1850 Medium Oil on canvas Dimensions Deutsch: 63,5 ?? 47,1 cm cyf
35266  
Arkhip Ivanovich Kuindzhi, Rainbown
 
 Rainbown   cn40 1900-1905 Oil painting 110x171cm
35250  
Arkhip Ivanovich Kuindzhi, Silver Birch
 
 Silver Birch   cn40 1879 Oil painting 91x181cm
35257  
Arkhip Ivanovich Kuindzhi, Sunset
 
 Sunset   cn40 1890-1895 Oil painting 40.5x53.5cm
35243  
Arkhip Ivanovich Kuindzhi, The Boat on the sea
 
 The Boat on the sea   cn40 1875
35251  
Arkhip Ivanovich Kuindzhi, The empress of rain
 
 The empress of rain   cn40 1879 Oil painting 102x159cm
35253  
Arkhip Ivanovich Kuindzhi, The evening of Ukraine
 
 The evening of Ukraine   cn40 1878-1880 Oil painting 81x163cm
35261  
Arkhip Ivanovich Kuindzhi, The far-away place of forest
 
 The far-away place of forest   cn40 1890-1895 Oil painting 30.5x25cm
35254  
Arkhip Ivanovich Kuindzhi, The Lake in the forest-Cloud
 
 The Lake in the forest-Cloud   cn40 1890 Oil painting 38.4x55.5cm
35242  
Arkhip Ivanovich Kuindzhi, The night of Ukraine
 
 The night of Ukraine   cn40 1876
35262  
Arkhip Ivanovich Kuindzhi, The sun in the park
 
 The sun in the park   cn40 1898-1908

Arkhip Ivanovich Kuindzhi
Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.



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