Las óleos de todo Arkhip Ivanovich Kuindzhi

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Painting (From A to Z)

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23230

Birch Grove (nn02)

1879 Oil on canvas (dimensions unknown) state Russian Museum,Leningrad

35267

Cloud

cn40 1900-1905 Oil painting 140x194cm

35252

Dnieper-s Moonlight

cn40 1880 Oil painting 105x144cm

35245

Dniester

cn40 1901

35264

Elbrus

cn40 1898-1908 Oil painting 36x62cm

35260

Elbrus-Moonlight

cn40 1890-1895 Oil painting 36.5x55.4cm

35255

Eventide

cn40 1885-1890 Oil painting 29x57.5cm

35256

Eventide

cn40 1890-1895 Oil painting 38.7x55.5cm

35241

Landscape

cn40 1874

35244

Landscape

cn40 1885-1890 Oil painting 39x53cm

35246

Landscape

cn40 182 Oil painting 70x110cm

35247

Landscape

cn40 1873 Oil painting 76x130cm

35248

Landscape

cn40 1873 Oil painting 79.5x62.5cm

35258

Landscape

cn40 1890-1895 Oil paiting 38.8x52.9cm

35265

Landscape

cn40 1898-1908 Oil painting 39x53.5cm

35268

Landscape

cn40 1898-1908 Oil painting 40x54cm

35269

Landscape

cn40 1905-1908 Oil painting 107x169cm

35259

Noon-the drove on the campo

cn40 1890-1895 Oil painting 42x51cm

35249

North

cn40 1879 Oil painting 132x103cm

35263

Oak

cn40 1900-1905 Oil painting 63x164cm

77787

Portrat der Vittoria Marini

Deutsch: um 1850 English: c. 1850 Medium Oil on canvas Dimensions Deutsch: 63,5 ?? 47,1 cm cyf

35266

Rainbown

cn40 1900-1905 Oil painting 110x171cm

35250

Silver Birch

cn40 1879 Oil painting 91x181cm

35257

Sunset

cn40 1890-1895 Oil painting 40.5x53.5cm

35243

The Boat on the sea

cn40 1875

35251

The empress of rain

cn40 1879 Oil painting 102x159cm

35253

The evening of Ukraine

cn40 1878-1880 Oil painting 81x163cm

35261

The far-away place of forest

cn40 1890-1895 Oil painting 30.5x25cm

35254

The Lake in the forest-Cloud

cn40 1890 Oil painting 38.4x55.5cm

35242

The night of Ukraine

cn40 1876

35262

The sun in the park

cn40 1898-1908

Arkhip Ivanovich Kuindzhi

Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.

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